Addressing Multiple Community Challenges Through Bapedi Music Genres Using Indigenous Bapedi Wedding Musical Arts

Morakeng Edward Kenneth Lebaka
Department of Creative Arts; University of Zululand (Unizulu)

Abstract

Abstract The present study looks at indigenous Bapedi wedding musical arts as one of the music genres found in the Bapedi society. The focus will be on the relevance of this music genre within Bapedi people’s cultural context. The research examines how indigenous Bapedi wedding songs provide opportunities for the singers to express their interpretations of the society and seeks to interpret the efficacy and entertainment provided by these songs. The following primary research question therefore guided this study: What is the cultural significance of indigenous Bapedi wedding music within Bapedi people’s cultural context? The study employed a contextual approach and data was collected through observations, face-to-face interviews and video recordings of rehearsals and performances during lobola and wedding ceremonies. Secondary sources included published books and Journal articles. The investigation has revealed that within Bapedi people’s cultural context, indigenous Bapedi wedding musical arts is used to reinforce old values and symbols and acknowledge new realities. During the study, it was also established that in the context of communal music-making, the singers participate in communion to celebrate the continuity of the community over time, affirm its vitality, and the integration and wholeness of life. It was concluded that in the Bapedi culture, the context of the performance is a natural way of combining enjoyment with education.

Presentation